Zainab Mehdi is The New Arab's Associate Editor and researcher specialising in governance, development, and conflict in the Middle East and North Africa region.
A mural project has been launched in London to honour Palestinian journalists who have risked their lives to show the reality of life in Gaza and Palestine.
Asmaa Alanbari's 'Gilgamesh Contemporary II' is a dazzling music, dance, and audio-visual performance inspired by the ancient Babylonian epic poem, Gilgamesh.
On at London's Royal Court Theatre, Mohamed-Zain Dada's debut play 'Blue Mist' explores the lives of three British Pakistanis navigating a system that isn't built for them. The play is a poignant take on how Islamophobia manifests itself in the UK.
The New Arab sat down with Nader Mansour to discuss the journey and aspirations of Beirut Blues-Rock band The Wanton Bishops for the new generation of Lebanon.
The soundtrack to the captivating refugee animation, Lamya's Poem, is set to be released this week. Composed by Emmy-award-winning composer Christopher Willis, The New Arab sat down with him to chat about his inspirations and his creative process.
A faithful adaptation of Christy Lefteri's book by the same name, The Beekeeper of Aleppo play deals with the torturous journey of Syrians to Europe after fleeing the war. The play emphasises the fragility of comfort and a shared desire for safety.
Iraqis under the regime of Saddam Hussein faced a continuously threatened identity of self, with this generational trauma lingering today. Baghdaddy, performed at the Royal Court Theatre in London, unravels this period with humour and tragedy.
